SHERRY KLEIN CAS – Re-Recording Mixer Sherry Klein is a Post Production Re-Recording Mixer for Television and Film. She is currently living in Los Angeles, Ca. working with Smart Post Sound. Some of her credits include New Amsterdam, Queen of the South, Burn Notice, Sons of Anarchy, and The Shield. Sherry started her career as a musician, her dream was always to study music and have a successful career in the music industry. She attended Webster College in St. Louis, Missouri studying classical music composition and then Jazz Arranging and Composition at Berklee College of Music in Boston. Her early years were spent “on the other side of the glass” as a musician, but the realization of how recording could manipulate sound slowly took over her passions and she soon began exploring her fascination with all things audio. She left the east coast for Los Angeles and spent 10 years with Larrabee Studios as a Recording Engineer until 1983 when she moved into the field of Post Production Mixing. Throughout her career, she has worked with an array of outstanding talent in both music, television and film. Her passions for music and sound have only grown throughout the years and she enjoys mentoring and giving back to the industry whenever possible. She is currently on the Board of Directors for both the Cinema Audio Society (CAS) and the Entertainment Industry Professionals Mentoring Alliance (EIPMA).. She is also the Chairperson of the CAS Student Recognition Award ( SRA) SoundGirls Feature Profile on Sherry Interviewed by Lenise Bent Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie’s “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy and a voting member of NARAS. She is also a proud member SoundGirls, Women’s Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists) and ARSC (Assoc. of Recorded Sound Collectors). Though mostly working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and completely out of the box. To know more about Lenise Bent go to her website at SoundGirls Feature Profile Lenise Bent SoundGirls Living History Project Lenise Bent Part 1 SoundGirls Living History Project Lenise Bent Part 2


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